I’ve been selected for jury duty once in my life. While I shan’t reveal any details here, mainly because most of them elude me at this point, I do remember feeling the weight of responsibility in making my decision. If the parties involved decided that they wanted me to sit in on their jury, I felt that I owed it to them to carefully consider all the arguments and ensure that I had my facts straight. Plus they gave me free food. What kind of monster would I be if I didn’t hold up my end of the bargain?
So imagine my surprise during my first viewing of 12 Angry Men when a young man will be sentenced to die if the jury reaches a guilty verdict, and yet some of the jurors just want to hurry up and vote so they can get out of there. If Henry Fonda’s juror was as shocked as I was, he hid it well, merely suggesting that it’s worth talking about the trial because he has “reasonable doubt.” A few of these other men are annoyed and don’t see the point in discussing anything. The kid is guilty and that’s that. Fonda remains steadfast in his belief and the jurors have no choice but to reluctantly oblige him. The seeds have been planted for 90+ plus minutes of required viewing for anyone curious about the filmmaking process, and the importance of dialogue, camerawork and body language.
And I suppose I should mention we’re going to get into some spoilers here, so if you are lucky enough to have the chance to see 12 Angry Men for the first time, do yourself a huge favor and go check it out before you read this. I promise you won’t regret it.
Everyone remembers seeing The Dark Knight at the theater. Whether you were eagerly anticipating its release or aren’t the biggest fan of Batman or movies but got dragged to the premier with your friends anyway, you were there. It was one of those event films that transcended the typical movie-going experience. And while Christopher Nolan has made equally engaging films before and since, this is the one that he’s best known for. Fresh off of its 10th Anniversary, how has The Dark Knight continued to stand out in the ever-crowded field of superhero movies?
My previous experiences using MoviePass have been pretty Quiet because I’ve gone Solo (SEE WHAT I DID THERE?!). Which, if you read my reviews, helped create fun and memorable experiences. It was also really easy to use MoviePass which helped justify me going alone. MoviePass is a great tool that encourages you to see as many movies as possible even alone. However, try using it on a date or with a group of people and you might run into issues.
I vividly remember the first time I ever went to the movie theater to see a movie by myself. It was a rainy night in 2009. My girlfriend was out of town and I couldn’t convince any of my friends to see The Imaginarium of Doctor Parnassus with me. Which is not too surprising since this film had a relatively quiet release and had only really caught my interest because it featured Heath Ledger in his last role prior to his death. In fact he didn’t quite finish the film and it had to be reworked with a little bit of Johnny Depp, a dash of Colin Farrell and some Jude Law.
I recall being nervous to go to a movie by myself. I remember my girlfriend found it peculiar and at some point I was having second thoughts. I was paranoid that the strangers around me would see I was alone and they would wonder why I would do such a dumb thing. As the previews begun I felt my fear wash away. I felt myself eager to transition into a temporary bliss of distraction. And I realized how freeing it can be to do something alone.
We did it people. By giving Marvel our hard earned cash to see almost 20 movies over the last decade, featuring all the superheroes that we love and several that we had no clue existed, we aided and abetted the creation of an unstoppable juggernaut. With Avengers: Infinity War being released in a few short days after a decade of building towards Thanos’ showdown with the galaxy’s mightiest heroes, that train is not slowing down anytime soon.
But it hasn’t all been the smoothest journey through this shared universe. There are more than a few stops along the way that, if not for having the Marvel Studios banner safeguarding them from irrelevance, would’ve been immediately cast out and forgotten. I suppose that’s understandable. When you have 18 at-bats, you’re probably not going to knock it out of the park each time. Part three of this post will feature the eight Marvel films that I consider to be home runs, so by baseball standards the MCU has been more than cleaning up at the plate.
However, we still have to talk about the times when they struck out, grounded into a double play or popped out to the catcher (which as a former little leaguer, I always hated more than striking out). To be clear, I’m not referring to this first group of films as “The Also Rans” because I think they suck. While there will be a couple of rants and plenty of criticism, you can still watch most of these movies and be entertained. I just never feel a strong desire to do so outside of taking on another marathon of all the MCU films (which is getting very long, by the way) and one of them just happens to be the next one on the list.
But since these are my opinions and I may very well just be a cynical bastard, I’m including some feedback from both Kevin and my girlfriend, Natalie. If I’m being too hard on any of these films, they’ll let you know about it.
Tired of my normal movie watching process, which amounts to me spending an inordinate amount of time searching through Netflix, Hulu, or illegal streams searching for the perfect movie only to be interrupted by my constant pausing to do the dishes, or let the dog out, or look at memes on Instagram, I decided to embark on a year journey of returning to the physical cinema thanks to the company MoviePass.
MoviePass is a subscription service that allows you to attend one movie a day at any cinema across the USA. There are minor limitations and exceptions but for the most part the entire world of cinema is open to you all for $9.95 a month (or, if you got lucky like me, $6.95 a month due to a promotional price).
I decided to use this year to explore different movies and to chronicle my experience. Lucky for you that means my movie review game should increase heavily. Most of my reviews will be short and sweet. My rating system will be pretty simple and based on the premise of MoviePass. I will tell you whether or not I would recommend someone who is not a MoviePass user to go out and pay full price to see the film in theaters. Meaning this is more about the experience of how the film plays in the theater than it is a full recommendation of the film. I might love a film but admit there was no reason for the theater experience. Or I might not enjoy a film but be blown away by visuals that you need to see on the big screen.
I will also chronicle how much money I am saving (or losing) with the MoviePass service. Thanks for reading and click the jump to read about my first official MoviePass film, A Quiet Place.
Unless you live under a rock, or plain just don’t like movies, chances are you’ve seen the newest entry of the Star Wars saga by now. It’s been quite the divisive piece of entertainment and whether it knocked your pants off or made you so angry that you were mean to Rian Johnson on Twitter, there’s no question that it made an impact on you. It sure as hell made a huge one on Kevin and I.
But here’s the thing. If we had all come away from The Last Jedi with warm feelings of nostalgia in our tummies and then immediately went home and stopped talking about the movie, because it was more of the same of what we come to expect from Star Wars, then you would know that Disney had just churned out a giant cash grab and wasn’t interested in trying anything new. And that would suck, because part of what made Star Wars great in the first place was that it tried things that were new.
Instead, Disney trusted Johnson to create something bold and original, and we are still having discussions about it over a month after its release. And that’s how you know this is much more than just another movie. Instead, it’s a piece of art that challenges us to rethink what we think we know about some of our favorite stories and characters, and that’s something that we desperately need in an age of cookie cutter sequels and tired remakes.
So Kevin and I are going to keep that discussion going. Feel free to chime in if you wish.